A collection of fragments titled The Shining: From an Anonymous Wall to Madina Hussiny Square assembles artist statements and descriptions of an ongoing series of site-specific interventions in Zagreb made of heat sheet and white masking tape as well as the author’s personal notes on the brief but thought-provoking encounters with Y., H. and K. The ›light‹ interventions in conjunction with the powerful migrant stories speak of fragmented, incomplete, and unfinished struggles and display disrupted narratives. Performed and written in solidarity with all the incarcerated and in memory of all the deceased.