Rachel Beckles Willson Orientation through Instruments: The oud, the Palestinian Home, and Kam?ly? Jubr?n
Eric Petzoldt Robert Lachmann & Ruth Davis (eds.), The “Oriental Music” Broadcasts 1936–1937—A Musical Ethnography of Mandatory Palestine. (2013)
Charissa Granger Andrew Martin, Ray Funk, & Jeannine Remy, Steelpan in Education: A History of the Northern Illinois University Steelband. (2017)
Brian Diettrich Frederick Lau & Christine R. Yano (eds.), Making Waves: Traveling Musics in Hawai?i, Asia, and the Pacific. (2018)
Megan Jane Sinnott Andrew N. Weintraub & Bart Barendregt (eds.), Vamping the Stage: Female Voices of Asian Modernities. (2017)
Anna-Elena Pääkkölä Lori Burns & Steven Lacasse (eds.), The Pop Palimpsest: Intertextuality in Recorded Popular Music. (2018)
Werner Graebner Frank Gunderson, The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka. Rhumba Kiserebuka! (2018)
Mischa van Kan Gerhard Kubik, Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture; Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa. (2017)
Kathryn Alexander The Groove Is Not Trivial. Verite Productions. Directed by Tommie Dell Smith. (2016)
Kiku Day Teruhisa Fukuda. Japan: Musical Offering of a Shakuhachi Master. Produced by the Musée d’ethnographie de Genève. (2018)
Joe Kinzer Laos: Musique des Khmou. Recorded by Véronique de Lavenère. Produced by the Musée d’ethnographie de Genève. (2017)
